Theodore Dreiser: Sister Carrie, Jennie Gerhardt, Twelve Men (LOA #36) by
Theodore Dreiser was arguably the most important figure in the development of fiction in the twentieth century. In this Library of America volume are presented the first two novels and a little-known collection of biographical sketches by the man about whom H. L. Mencken said, "American writing, before and after his time, differed almost as much as biology before and after Darwin." Dreiser grew up poor in a series of small Indiana towns, in a large German Catholic family dominated by his father's religious fervor. At seventeen he moved to Chicago and eventually became a newspaper reporter there and in St. Louis, Pittsburgh, and New York. Reaction to his first book,Sister Carrie(1900), was not encouraging, and after suffering a nervous breakdown, he went on to a successful career editing magazines. In 1910 he resumed writing, and over the next fifteen years published fourteen volumes of fiction, drama, travel, autobiography, and essays. "Dreiser's first great novel,Sister Carrie . . .came to housebound and airless America like a great free Western wind, and to our stuffy domesticity gave us the first fresh air since Mark Twain and Whitman," Sinclair Lewis declared in his Nobel Prize acceptance speech in 1930. Carrie Meeber, an eighteen-year-old small-town girl drawn to bustling Chicago, becomes the passionless mistress of a good-humored traveling salesman and then of an infatuated saloon manager who leaves his family and elopes with her to New York. Dreiser's brilliant, panoramic rendering of the two cities' fashionable theaters and restaurants, luxurious hotels and houses of commerce, alongside their unemployment, labor violence, homelessness, degradation, and despair makes this the first urban novel on a grand scale. In a 1911 review, H. L. Mencken wrote, "Jennie Gerhardtis the best American novel I have ever read, with the lonesome but Himalayan exception ofHuckleberry Finn." Beautiful, vital, generous, but morally naive and unconscious of social conventions, Jennie is a working-class woman who emerges superior to the succession of men who exploit her. There are no villains in this novel; in Dreiser's view, everyone is victimized by the desires that the world excites but can never satisfy. Dreiser's embracing compassion is felt inTwelve Men(1919), a collection of portraits of men he knew and admired. They range from "My Brother Paul" (Paul Dresser, vaudeville musical comedian and composer of "On the Banks of the Wabash" and "My Gal Sal") to "Culhane, the Solid Man," a sanatorium owner and former wrestler. Without sentiment but with honest emotion and respect for the bleak and unvarnished truth, Dreiser recalls these anomalous individuals and the twists of fate that shaped their lives. LIBRARY OF AMERICAis an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Sister Carrie
Jennie Gerhardt
Twelve Men
Peter
A Doer of the Word
My Brother Paul
The County Doctor
Culhane, the Solid Man
A True Patriarch
De Maupassant, Junior
The Village Feudists
Vanity, Vanity
The Mighty Rourke
A Mayor and His People
W. L. S.
Theodore Dreiser: an American Tragedy (LOA #140) by
This Library of America volume contains the novel that is the culmination of Theodore Dreiser's elementally powerful fictional art. A tremendous bestseller when it was first published in 1925,An American Tragedytakes as point of departure a notorious murder case of 1906-one among many that Dreiser studied in preparation. He immersed himself in the social background of the crime to produce a book that is a remarkable work of reportage, a monumental study of character, and a stunning jeremiad against the delusions and inequities of American society. Few novels have undertaken to track so relentlessly the process by which an ordinary young man becomes capable of committing a ruthless murder and the further process by which social and political forces come into play after his arrest. In Clyde Griffiths, the impoverished, restless offspring of a family of street preachers, Dreiser created an unforgettable portrait of a man whose social insecurities and naive dreams of self-betterment conspire to pull him toward act of unforgivable violence. The murder that he commits on a quiet lake in the Adirondacks is an extended scene of overwhelming impact, and it is followed by equally gripping episodes of his arrest and trial. Throughout, Dreiser elevates the most mundane aspects of what he observes into emotionally charged, often harrowing symbols. Around Clyde, Dreiser builds an extraordinarily detailed portrait of early twentieth-century America, its religious and sexual hypocrisies, its economic pressures, its political corruption and journalistic exploitation. The sheer prophetic amplitude of his bitter truth-telling, in idiosyncratic prose of uncanny expressiveness, continues to mark Dreiser as a crucially important American writer.An American Tragedy, the great achievement of his later years, is a work of mythic force, at once brutal and heartbreaking. LIBRARY OF AMERICAis an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Theodore Dreiser: An American Tragedy